Dialogue
50Dialogue_Starters
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Explanations: Telling how the words are spoken can sometimes be
useful, but phrases to interpret speeches can easily slide into cliché.
Generally it’s better to make the speaker’s actual words show mood, rather
than explain it.
Said: The simple verb "said" (he said, she said) has the advantage of almost disappearing from the narrative if
used sparingly. It accomplishes the purpose without being intrusive.
Other verbs: Some verbs such as whispered, shouted, help to clarify how the words are said. Others are overblown
(he gritted) or silly (she orated) or impossible (He grinned, "Watch this.") You can grin and then speak, but you can't
"grin" words. Yes, some times punctuation does make a difference even if the reader may not notice.
Adverbs: Some adverbs help clarify how the words are said and can illustrate non-literal meanings which may not
be apparent from the words alone, as in: "'Are you done?' The words were spoken in dulcet tones, overshadowing the
dismissive ending." Others are redundant, such as, "I hate you!" she said angrily. Most writers suggest adverbs be used
sparingly.
Attribution is the way you tell your reader who is speaking and how they are speaking. If you’ve paragraphed properly
and started a new paragraph with each new speaker, then you may only need to tell the reader who’s speaking in every
third or fourth paragraph. There are several ways to tell the reader who’s speaking.
Your editor wants to know if you can use
anything beside "said" in your dialogue."
Variation: Use a combination of attribution methods, so no one
method becomes rhythmic and repetitive. Sometimes the action may be
placed before the dialogue, to help with clarity.
Beat: This is the term for adding action to a paragraph containing a
character’s speech. The reader is cued to the speakers identity and helped
to picture the scene.
"Hellfire and damnation." Hank ground out his cigarette
in the dust.